ONLINE

"Ivan, Always Hiding" || Southern Humanities Review
"Four Darks in Red," "Reading the Bleed," "Cerebral Edema," and "Human Archipelago" || Waxwing
"Circuitry" || The Academy of American Poets: Poem-a-Day
"'You Lie'" and "The Part of the Water" || The Adroit Journal
"Language of the Border" (Essay) || VIDA: Women In Literary Arts
"Speak No Evil Forum: 'MFA vs POC'" (Essay) || The Asian American Literary Review
"Undocumented, and Riding Shotgun" (Essay) || Zócalo Public Square (in partnership with The National Museum of Natural History for the "What It Means to Be American" project)
"Undocumented, and Riding Shotgun" (Essay) || Reprinted by KCRW: Which Way, L.A.?
“Landscape with American Dream” || California Journal of Poetics
“Homecoming” || Drunken Boat
"Chain Migration” || Hyphen
“Tago Ng Tago (TNT),” “Arrival,” “Move-In,” “Snakes In the Grass,” and “Bonfire” || Connotation Press
“Between Chou and the Butterfly” and “About the Visas” || The Journal
“Electromyography” ||  The Collagist
“Shift” ||  Painted Bride Quarterly and featured on Poetry Daily
“Swarm” and “Leaving the Non-Profit Immigration Lawyer’s Office” ||  Kenyon Review Online
“Remembering Jack Gilbert” (Essay) ||  Tongue: A Journal of Writing and Art – Marginalia
“Assimilation” and “After the flood” ||  la fovea
“Comeuppance” and “Narrative” (digital broadside available here) ||  Lantern Review
“The whole truth and nothing” and “Second lesson (Pressure position)” || Calabash

Print

“‘More milk, more milk makes it better’” and “Where There’s Smoke” || Eleven Eleven, issue 17
“Exchanging Vows” ||  The Asian American Literary Review, vol. 3.2
“Wreck” || Hayden’s Ferry Review, issue 48
“Break” ||  Clementine, issue 2                     
“What after” || Third Coast, issue 27
“Postcard” and “Northern Lights” || Nimrod International Journal, issue 52:1   
“Slow Machinery” || Spoon River Poetry Review, issue 33:1                      
“Traveling on the I-698” || Salt Hill, issue 20
“Everything Signed & Filed” || Park Slope Reader, issue 3
“Fourth Lesson (Pasalubong)” || Paterson Literary Review, issue 36
“Alabang, 198–” and “Where the stars are in California when you’re an illegal alien” || Caribbean Writing Today
“Drift” || Askew, issue 1
“History” || Fugue, issue 31
“The Undocumented Immigrant Poem # 79” || Oberon, issue 4

Anthologized

"Between Chou and the Butterfly" || Best American Experimental Writing 2015 (Douglas Kearney, guest ed.)
“The Exemplary Poem and the Exemplary Life” (Essay) || First Light: A Festschrift for Philip Levine on His 85th Birthday
“Wreck” || Best New Poets 2011
“Driving without a license” || Here is a Pen: An Anthology of West Coast Kundiman Poets
“Junkyarding through the great Moreno Valley” || Breathe: 101 Contemporary Odes
“Second Lesson (Circle Inn),” “Junkyarding through the great Moreno Valley,” and “The Undocumented Immigrant Poem # 79” || Bear Flag Republic: Prose Poems and Poetics from California
“Anilao, 1989” || Homage to Vallejo

Editorials

“You’re Going to Be a Terrific Writer” and “Family Albums” || Gulf Coast: A Journal of Literature and Fine Arts